
They Will Not Complete It In Their Lifetimes
Emily Llamazales, Aaron Kagan Putt, and Ben Steele
They Will Not Complete It In Their Lifetimes unites the practices of Emily Llamazales, Aaron Kagan Putt, and Ben Steele, three artists whose works transform materials and forms into speculative environments and aspirations. Collectively, they share an interest in hybrid forms, imperfection, and the layering of time, creating spaces where objects and ideas become artifacts of fact and fiction.
Emily Llamazales’s ceramic and metal sculptures evoke terrain and microscopic organisms through layering found objects with personal significance and experimenting with shape, material, and texture. Through this process, Llamazales’s hybrid forms create a vocabulary of overlapping elements interpreted as archaeological remnants of an evolving world.
Aaron Kagan Putt’s playful, process-driven approach to his work merges architectural structures with experimental materiality, capturing moments that oscillate between legibility and abstraction. By densely arranging imagery and objects, the artworks operate as apertures, opening pathways for interpretation and grounding abstraction in intimate, hopeful gestures.
Ben Steele's practice roots itself in the theoretical exploration of worldbuilding and search for knowledge, where constructed models and historical, painterly landscapes evoke the tension between human-made structures and nature. Drawing from futurism and cinematography Steele's work embodies themes of creation and ruin, embracing the inevitability of time's impact.
Ultimately, Llamazales, Putt, and Steele reflect on the human desire to create. The works in the exhibition suggest that fragments, imperfections, and unfulfilled attempts hold as much meaning as finished forms, offering space where time, memory, and potential converge. They Will Not Complete It In Their Lifetimes presents a collective vision of resilience and optimism, inviting viewers to consider the beauty and possibility inherent in what remains unfinished.
February 20 - March 20, 2025
Swan Coach House Gallery, Atlanta, GA
Curated by Jacob O’Kelley

Cerise on the second day, 2025; glazed stoneware, steel, acrylic plexiglass mirrors, 86 x 105 x 43 inches

Tell me, did the image come up from inside me, of its own accord?, 2025; glazed stoneware, glass beads, dye sublimation print on chiffon, copper wire, metal, 72 inches x 17.5 x 2.5 inches


Warning buoy: permutation, 2025; glazed stoneware, cotton rope, forged steel hook, dye sublimation print on chiffon, dimensions variable

we have crushed the scales, released the snails, 2023; glazed stoneware, resin, aluminum wire, archival prints on transparency, green lacewing, aluminum sticker, 18.5 x 19.5 x 6.5 inches


eyelids became lips and irises split, 2023; glazed stoneware, 17.5 x 10.25 x 3.5 inches

the new flesh, 2023; glazed stoneware, shells, acorn nuts, glass bead gel, 18.5 x 15 x 3 inches

a thousand stars against the bow–into dark oil lakes, 2024; glazed stoneware, 13 x 9.25 x 5 inches
